Build the Temple Your Sound Deserves

260+ Hours. Lifetime Access. Direct Feedback. $2,000 Guarantee.*

1 of 10 Early Bird Slots:

The Loop of Pain

You know that feeling when your song finally starts to hit…BUT the next day, it sounds like mud and failure?

Leveling with you, the early bird slots are almost gone. I want to know if you're serious about pursuing your music and willing to invest.

This is my offer to you:
Invest $500 today in your dream, and if after 9 months of learning and having 1-on-1 feedback, you aren’t telling everyone that they are missing out and should get the course, then I will
refund your $500 and pay you an extra $1,500—putting $2,000 total back in your pocket!

From experience, I know all of the struggles you are facing as a music producer. The pain of having a sound and a feeling inside and then spending countless hours trying to hone in on that sound and get it out. And you're starting to feel good with it. You're starting to feel like there's a vibe. And then you go to bed, you wake up, come back with fresh ears, and all of a sudden it sounds super cloudy. It's muddy. The kick doesn't punch the way that you intended it to. Or it just doesn't sound like the sound that you were shooting for, the feeling that you had inside. It's going off into left field in a completely different genre.

So in your frustration, you hop onto YouTube, you start listening to tutorials. Maybe you find one on sound design and you're hoping that it'll make your WUBS hit harder. Or you find one on mixing…right? You get inspired by the guy saying, cut the lows below 30 hertz, mono your mix up to 120 hertz.

And so you do. Trying to have your bass punch clean, have it be crisp. But when you compare it to Skrillex's track "Rumble"...yours sounds more like a “Dull Thud”. You question if you're even cut out to make music…You're back to square one, trying to make the sound that you hear in your head.

This is where most producers unknowingly start stacking bricks onto a crooked foundation.

"You're trying to build a temple of sound without sacred geometry."

Without level ground

Without knowing what holds the weight.

Trust me.

I know.

I LIVED THIS EXPERIENCE FOR OVER 15 YEARS.

To illustrate this, let me try to articulate your struggles!
The ones you might not even have words for yet!
As a new producer, you opened up the DAW for the first time because you had a passion to make music that sounded like your favorite artist! Remember…the music that inspired you in the first place!

It’s different for everyone; for some, it was techno and trance with Darude’s "Sandstorm", for others, it was dubstep hearing Subtronics play live!

Regardless of the start, you learned that if you want to make anything EDM, you need a DAW! So you downloaded a free trial of Ableton or FL Studio …and now you are looking at the interface and you are feeling like you just step into the cock pit of an airplane! Hundreds of buttons, knobs, folders, and drop down menus with name for them like:

“MIDI from” “Res” “Attack” “Pre-delay” “Threshold”

And for the sake of clarity, let's say you are in Ableton, if you are like most people (unless you got lucky and had a friend teaching you), you ended up staying in the session view mode for far longer than you want to admit!

BUT eventually you find the arrangement mode. Found out where the instruments and samples are! You’ve started to place down some midi – which even learning how to open a midi clip and actually place/delete the notes was a small struggle BUT with a few hours of youtube tutorials you’ve managed to get a bit of a melody out and have a few sounds.

Now they sound a bit boring though, you see the audio effects folder, you open it up and see “Auto Pan”, “EQ Eight”, “Limiter”, etc… you don’t know what any of them mean yet! So you pick something that you have a concept of, like, “Echo”. You dragged it on your instrument and now you see 20+ controls that you have no idea what they do. So you just mess around until you find something that's just not horrible. You arn’t making a section in a song let alone a full track AND the sounds you do have are clashing!
You don’t even know what questions to ask.

You're laying bricks, but you haven't yet touched the blueprint. This is the basement of your temple – dark, confused, full of dust and misaligned beams. But you're here. You’ve started.
That’s the sacred beginning.

Intermediate Plateau

Now imagine some time has passed, three years in...

This is the point where many builders keep adding ornate towers onto a crumbling foundation, not realizing the cracks go all the way to the ground. You need to tear it down to the stone and start again. Not with YouTube tips, but with sacred engineering.

Advanced Confusion

Eight years deep. Your ears are sharp, but the map is still broken...

Now you have a deep understanding and skill in a few areas. In the studio, your mix sounds wide and full, yet when you take it to the car, all of a sudden, your mids disappear. Maybe it passes the bass test in the car, but then you try playing it on a festival rig and all of a sudden either your sub falls apart or it's completely overwhelming to all of the rest of the sound. And then the stereo field that you thought was so massive and wide completely collapses and you have entire parts of your track where you just hear holes and gaps. When you take your sound and you move it to a Bluetooth speaker, there's no more punch and it's just kind of fizz instead and it sounds lifeless and without the detail and clarity that you want.

You've understood and learned about metering AND targeting AND gain staging AND yet you think that negative -6 LUFS is the industry standard without realizing that different genres have completely different loudness targets. Maybe you're in one of the loud genres and you heard that you got to try and get your mix all the way up to negative -2 LUFS and you're trying to push it that hard and no matter what you do it's just sounding either too insanely harsh or not clear enough. You're losing the detail and clarity and you're pushing super deep into the waveform and you're trying to structure things around in. You've gotten pretty ridiculously complex in your sound design structure.

You've fallen into the habit of overproducing things. Every single track has 8 effects plugins on it just in case, and you have unnecessary multiband compression, or you're using 3 OTTs in a row, and you're just completely flattening the sound of your mix. You've overused exciters to add sizzle and completely destroyed the phase coherence of your mix. You're trying to fix tonal problems that are actually arrangement problems, and while you've learned a few things, you're still not quite having that industry sound.

It sounds a lot better than it used to, yet when you show your tracks to your friends, they're not telling you:
“Oh, DAMN! How are you not famous yet?! What?! Are you serious?
No way!!! You didn’t make that?”
That's not the reaction that you're getting.
They're giving you, “oh…wow, that's pretty cool” and maybe they'll give you a like on your sound, but they're not getting super hyped about it or anything like that.

You’ve built a temple that almost looks right. The structure stands, the spires gleam. BUT inside, it echoes weird. The resonance is off. And no matter how many statues or decorations you install, it still doesn’t feel divine.

So you jump back into the mix, and you're trying to just make your sound louder and louder, thinking that louder equals better. You're chasing the LUFS, killing the punch. You're using limiters for loudness, unaware of psychoacoustic distortion shaping. And at this point, one of the key things that you're starting to run into is the analysis paralysis from having too many options, too many plugins, too many sound packs.

You stop trusting your ears and you start to overly rely on the tools that you've learned, and you start overthinking small moves. You'll be tweaking the attack knob on the compressor for 30 minutes only to realize that the compressor was bypassed the whole time, yet you were swearing that you were dialing in this sound that's just going to take your mix to the next level.

You've fallen into a whole bunch of self-deception traps. Believing that your monitoring is good enough, yet you've never dialed in your subwoofer calibration, having your speaker crossover aligned to your room. You have some random “PRO” techniques but no unified mental model for gain structure, harmonic balance, dynamic contour, frequency allocation by sound source and instrument class. You're relying on brute force trial and error methods instead of thinking within systems.

Your arrangements still feel flat. It loops well, drops hard, but lacks the emotional pacing. The sections don't evolve, they repeat. It doesn't exploit energy curves, reverb transitions, and psychoacoustic movement.

But to this point, your sound is sounding pretty good. And so you start wanting to play your mixes out, BUT now you really have no confidence in how your mix is going to translate to
a Function 1 rig. You have no RMS calibration, no True Peak control. You don't understand how the subs couple with the room that you're playing in. And you make production mixing decisions that lead to crowd fatigue without knowing why.

You're trying to re-sculpt the altar with volume instead of intention. You mistake loudness for clarity, detail for impact. You forgot what you were even trying to worship.

You've reached a brand and creative plateau, stuck in sound design loops without developing a cohesive signature sound, mimicking your favorite artists, but not creating an original and unique world. And you have the skill, or at least a lot of the skill, but there's no mythos, no aesthetic, no mystique behind your sound. No reason for people to share it with their friends just yet.

And now the temple has no myth. No story in the stone. It’s well-lit, sure…BUT

SO yes, you can 100% do it on your own. And damn it, I did. I was stubborn. I went all the way down this road. I was in that loop of pain that you are in. I chose that route!

And if I could go back and convince my younger self to take the opportunity I'm offering you now, I hope I could communicate the amount of pain, self-doubt and struggle that he will go through on that path. I just hope I can communicate it so that he would realize that it's worth the money, that it's worth $500 today to invest in having everything cleanly concisely compressed.

260 hours might sound like a lot, but it’s not about watching 260 hours. It’s about having the answer to anything when you need it.

It's just the pure signal, none of the noise that you have to deal with on YouTube, it's so much faster, so much more reliable.

And I'm really not trying to be salesy here. I understand that finances are a huge objection, but how much is another 15 years of your life worth to you? If you're like me and passionate about music, you're going to keep making music anyway. Why not skip a decade of struggle so you can just get to the good part? And yes, there is still work to gain the skill. Yes, it takes time to practice and to improve your ability, but at least you'd have a blueprint. At least you have an execution plan. You'll know exactly what works and what doesn't work clearly laid out for you.

But wait, you're probably thinking, what if he's just hyping this up? What if he can't actually help me? What if my situation's different? What if I invest $500 in financing this thing and he doesn't deliver?

I hear you.

Valid point.

I completely understand.

So here's my guarantee. If you go all-in and after nine months of learning, having one-on-one feedback where you are having custom, compressed learning co-created with you; You aren't ready to go out and recommend this course to everyone you know who makes music and wants to produce. Then I've failed you. I won't just refund you—I'll add $1,500 cash, so you walk away with $2,000 total. And you'll keep lifetime access to the course.

So, the way I see it, you have three options:

1. Continue what you're doing. Going on to YouTube, watching endless videos, slowly grinding and sifting through the confusion and patently bad advice to eventually find a few nuggets of gold, possibly occasionally dropping $100 here and there on a plugin pack or a discounted EQ VST that harmonically boosts and cuts in key, and then, after using it, not understanding why your musical imaging gets completely destroyed.
2. You could go the traditional route, like crass, learning outdated information about studio consoles you'll probably never touch from a professor who looks like he hasn't been listening to anything since the good old days. Then when you finish the program, end up in AV work because it's music-adjacent, it's dependable income, and it's just enough comfort for you to watch your dreams slowly suffocate.
3. Or you can take the opportunity now, before it's filled up, and cost four times more at the official launch. You can have Early bird access, this direct feedback, which disappears once the course is built and done. This is your one shot to shape the blueprint. while being guaranteed that the worst possible outcome, you made an additional $1,500 on top of the $500 you invested in your dream becoming a reality. And on the upside, you save over a decade of time. You know what works and what doesn't. You know what plugins and equipment are worth buying and which are worth skipping. You have a clear vision of your direction for your music. You understand how to start building your social media. You can see the steps and actions you need to take to get your music out there at a professional level. You can envision yourself playing the main stage at EDC without feeling like it's a pipe dream.

Imagine how you will feel looking back on this decision 10 years later. Will you regret taking a leap and taking action on your dreams? Or will you be grateful to your current self for setting you up to live the life society told you is unattainable?

You already know which of those paths you're on.

The only question is:

“When do you stop stacking stones alone and start building a temple worthy of the sound inside you?”

I want to work with decisive people who know what they want out of life.
The slots are limited.
The opportunity is now.

Do you choose to accept?

YES or NO

One Decision. Net +$1,500 or a Decade of Clarity.